I shoot connected to a computer that’s placed for both of us to see – as we shoot – and we’re able to evaluate what we’re getting in real time
I’ll admit it: When it comes to photography, I’m far more of a technician than I am creative. I may have a rough idea of what I want to accomplish, but until I actually get the model or client in front of the camera and we start shooting, the possibilities are virtually endless. I like shooting without a specific plan because it makes for an organic shoot – it starts as one thing and often gradually progresses into something entirely different. Continue reading “Anatomy of a Figure Shoot”
I’ve just been contacted by two British models who contacted me directly regarding a casting call they saw on castingnow.co.uk. The listing reads:
This is Galen Evans, a fashion and glamour photographer and I am looking for a British Glamour Model to represent Britain with the Union Jack for an exclusive and exciting photo shoot…
Continue reading “Warning: Potentially bogus casting call”
Every once in a while I like to go through images from past shoots and when I do, I sometimes stumble upon an image that I didn’t pay much attention to the first time around, but for whatever reason I’m drawn to upon a fresh view. This happens to be one of those images, from a shoot I did with Carlotta back in early 2006. Continue reading “Champagne on the Bridge”
Part of my ongoing series of bodyscape studies utilizing simple lighting arrangements to sculpt and accentuate specific aspects of the female form, this image took second place in studio light category of the 2011 Seeing the Light lighting photo contest and was featured in the September 2011 issue of Rangefinder Magazine.
Continue reading “Backscape, from the Lightbox Series”