I’ve been shooting tethered in my studio sessions for a couple of years now and love having the ability to see the images almost immediately as they’re shot. Whether for portraits or figure shoots, having the ability to visually communicate and direct changes is a huge asset, saving time and assuring that the final images meet our expectations. But now, I’m faced with having to re-think how I’m going to do things…
It’s a question one can find all over the Internet, and one that I get asked all the time. My favorite answer is generic: The better the image quality, the more leeway you have when it comes to printing – regardless of the number of pixels. It’s my way of trying to get people to be less fixated on the gear they’re carrying and more attentive to what they’re photographing.
Continue reading “How Large Can That Digital File Go?”
It’s not unusual for people to ask me how I got the model to cooperate with shooting on location and they’re surprised to hear that she was actually photographed in the studio.
A digital composite is the result of digitally manipulating and assembling multiple images to create a single integrated final image. One of images in my fine art nude portfolio is an example of a digital composite created in Photoshop from two separate images. It’s not unusual for people to ask me how I got the model to cooperate with shooting on location and they’re surprised to hear that she was actually photographed in the studio. To me, that means I succeeded with what I set out to do: Combine two separate photographs, taken years apart at different locations and under completely different conditions, into one believable final image.
Continue reading “Digital Composite Nude”